AMSTERDAM. Dal 2009 in poi la fotografa Hanne van der Woude ha condiviso gioie e dolori della vita con una coppia di coniugi anziani e un fratello, persone che nonostante la loro età non hanno mai perso il contatto con la loro creatività. Van der Woude ha dato particolare attenzione all’ultima sopravvissuta: l’83enne Emmy, che vive ancora in un vecchio edificio scolastico nel Betuwe. Per cinque anni, la fotografa è entrata a far parte del suo mondo. Un’immersione che l’ha portata a realizzare un intero progetto fotografico che sarà in mostra, in anteprima, alla Huis Marseille.
Una mostra che raccoglie ritratti, documenti privati di Emmy (quaderni, taccuini e fotografie) per mostrare come cambia il suo mondo, soprattutto quando il marito, Ben, e il fratello di lui, Egbert, vengono a mancare. Il mondo della donna è unico e molto familiare e la Van der Woude lo mostra come Emmy glielo ha voluto mostrare. “Penso che la vita di Emmy sia vissuta in un mondo fatto di sogni, lontano da quello reale – racconta la fotografa- ed è così che l’ho voluto rappresentare”. Il risultato è un bellissimo racconto fatto di amicizia tra generazioni, di creatività, di cura amorevole, uno stile di vita unico, indipendente, empatico.
Hanne van der Woude / Emmy’s World
12 September 2015 – 6 December 2015
What drives a young and celebrated photographer to join three elderly people on a trip to a mountain in France? Or partake in the lives she documents, even when disease strikes? From 2009 on, the photographer Hanne van der Woude shared life’s joys and sorrows with an older married couple and a brother: people who despite their age never lost touch with their creativity or non-conformist disposition. Van der Woude gives special attention to the last remaining survivor: the 83-year-old artist Emmy, who lives in an old school building in the Betuwe surrounded by guinea fowl. For five years Van der Woude became a part of Emmy’s world, an immersion that resulted in a photographic project now being premiered in Huis Marseille.
Two central elements of Emmy’s personality are an inexhaustible admiration for nature and the urge to collect everything around her. Van der Woude has succeeded in capturing these characteristics in specific moments; whether Emmy is spending time with her favourite guinea fowl Klara, or nursing her incurably ill husband Ben. Then there is Ben’s brother Egbert who had been living ascetically in rural France, but suddenly falls ill and is forced to move in with them. In this exhibition, Van der Woude’s photographic portraits and films and Emmy’s own private documents (sketchbooks, notebooks and photographs) trace the changes in Emmy’s world, especially when both Ben and Egbert come to pass. Through it all, however, Emmy stays true to herself.
Emmy’s world is unique, but also very familiar. The photographs and films show a woman living her own life, little occupied with what others might think of it, as documented by the empathic eyes of a photographer who became part of that life. Emmy occupies a position in society that is by no means self-evident. “I think of Emmy’s life as a dream world, far removed from the real one, and that’s how I wanted to portray it,” says van der Woude.
Emmy’s World is a moving portrait that touches on several important topics in society, such as intergenerational friendship, creativity, the art of living, independence and care. The exhibition also shows the long-awaited continuation of Van der Woude’s work following the acclaimed project MC1R − Natural redheads [2008].
Info: www.huismarseille.nl
