AMSTERDAM. Fino al 3 aprile 2016 il museo Foam ospiterà “Life in Colour” la mostra dedicata all’opera del fotografo francese Jacques Henri Lartigue (1894-1986), noto per le sue spettacolari foto di corse automobilistiche, aerei, persone e animali in movimento. Meno noto il corpus di fotografie a colori, che Foam mostrerà in tutta la sua bellezza.
La maggior parte degli scatti in mostra al Foam provengono dai suoi album: foto che raccontano la storia della sua vita, come un’enciclopedia. Per Lartigue, che si è visto più come un pittore che un fotografo, il colore era principalmente un modo per unire le due forme d’arte.
Culture – France / AAJHL
Lartigue ha iniziato a fotografare all’età di sei anni e continuò fino alla sua morte nel 1986, dopo aver scattato circa 100.000 foto. Ha immortalato la sua vita, i suoi amori e le sue passioni con un entusiasmo contagioso, passando dai giochi e dalle gite in famiglia alle corse automobilistiche fino ai voli dei primi aviatori alle gare sportive alle donne ben vestite che passeggiavano sul Bois-de-Boulogne o partecipavano ad eventi legati all’alta società.
Lartigue di tanto in tanto ha venduto le proprie foto alla stampa e ha esposto alcuni dei suoi lavori a fianco di grandi personaggi come Man Ray e Brassaï (1955). Eppure la sua reputazione come fotografo non è stata ‘riconosciuta’ del tutto se non all’età di 69 anni quando il suo lavoro è apparso in una retrospettiva al MoMA, a New York. Il suo successo arrivò tre anni dopo con la pubblicazione dei suoi libri The Family Album (1966) e Diary of a Century (1970) diventando uno dei fotografi più richiesti nelle riviste di moda.
Jacques Henri Lartigue
Life in Colour
22 January – 3 April 2016
Foam is pleased to present the work of famed French photographer Jacques Henri Lartigue (1894 – 1986). Born into a prosperous middle-class family in Paris, Lartigue focused his camera on the carefree existence in and around his own family circle. Lartigue is above all famous for his spectacular photos of car races, aeroplanes and people and animals in motion. But his breath-taking colour photography is less well known. Lartigue, Life in Colour reveals this seldom-seen aspect of his oeuvre.
Lartigue’s legacy encompasses a total of 117,577 black-and-white negatives and colour transparencies, and nearly 40 per cent of his work is in colour. His colour photography began with autochrome images in his youth, and in the 1950s he started using Ektachrome film. The impressive collection spans nearly the entire 20th century, from the first photo he took in 1902 as an eight-year-old boy, to the final image taken in 1986 at the age of 92. He could capture fleeting moments of happiness like no other. Lartigue’s oeuvre offers a light and cheerful perspective on life in France in the early 20th century.
Lartigue was one of those unique people who was able to hold on to his childlike freshness, curiosity and wonder throughout his entire life. Colour and innocence went hand-in-hand for him. Photography was a way to escape his own contemporary time, so that his images have a limitlessly modern character. Lartigue unintentionally created an oeuvre in both colour and black-and-white. Most of the photos on show at Foam come from his albums, where he collected photos telling the story of his life, like an encyclopaedia. For Lartigue, who viewed himself more as a painter than a photographer, colour was mainly a way to unite the two art forms. He was regularly heard to loudly proclaim, ‘I view everything through the eyes of an artist.’
Ministère de la Culture – France / AAJHL
Lartigue began photographing at the age of six, and continued until his death in 1986, having taken some 100,000 photos. He recorded his life, his loves and passions with infectious enthusiasm. At first it was games and family outings that drew his attention. He quickly evolved a fascination for the depiction of speed. As a teenager he developed this interest further and used improved technology to photograph numerous car races, the flights of the first aviators and sports competitions. As a young man he turned his camera on the beautifully dressed women who promenaded on the Bois-de-Boulogne and at society events. Ever the curious amateur, Lartigue experimented with all kinds of photographic methods, most especially with stereo photography.
AAJHL
Lartigue occasionally sold photos to the press and exhibited work at a presentation in Paris alongside photos by major figures such as Man Ray and Brassaï (1955). Yet his reputation as photographer was not established until at the age of 69 his work appeared in a retrospective at MoMA, in New York. Worldwide fame followed three years later with the publication of his books The Family Album (1966) and Diary of a Century (1970), the last one compiled by Richard Avedon. In his final years Lartigue was much in demand as a photographer for fashion magazines.
Jacques Henri Lartigue – Life in Colour, can be seen from 22 January – 3 April 2016 at Foam. Foam is open daily 10.00 – 18.00, Thurs/Fri 10.00 – 21.00. Tickets: € 10,00.
